the Wake
A woman nudges a snakeskin,  
its head burst cleanly through.  
She knows it steals between cypress knees 
under the boardwalk,  
where one can wander 
and contemplate decay  
and watch a pair of turtles  
huddle atop a slumping limb,  
one propped against his fellow.  
This is how the turtles watch  
when the woman nudges a pebble  
off the boardwalk into the bayou.  
When she leans over the railing,  
nothing human returns. To step off the pier  
in a single motion would be immediate. 
Beyond the spitting horseflies, an airboat  
shakes the cattails. Scientists whisk 
through open waters: businesslike,  
baring underwater graves.  
A turtle wobbles into the water. Its wake slows  
before it can reach the tourist, who recedes  
with an unconscious release of the rail. 
White Alligator Narrates Hurricane Katrina
The glass-tapping has been missing for some time now, 
and so has the chum. I blithely eat my tank-mates:  
the sauger and a young bass.    
The not-sun has dimmed and the tank-water has settled  
like mud. I roll back eyelid after eyelid to see  
how it thickens, tarlike.    
I cannot hear my tank-mates heave their gills  
around me. The surface of our almost-lake  
rises, pulls us toward the opaque not-sky.  
A smaller not-sun went out too, submerged  
in souring water. I rest my claws on the log, cold,  
another tank-mate’s body bumping my snout.  
Audrey Hall
Audrey Hall is a poet and recent graduate from the University of Florida's MFA program. She has poems published with Crab Creek Review, Poetry South, and Hunger Mountain and forthcoming in Alaska Quarterly Review and Saw Palm. She currently lives in her home state of Mississippi, where she writes about cottonmouths and eats cheesecake.
